1 / 17 1 / 3
Blue Interior
A series of rooms painted after the light has already left them. Thin oil glazes hold the blue that remains in plaster, linen and the rim of a glass.
2 / 17 2 / 3
Blue Interior
A series of rooms painted after the light has already left them. Thin oil glazes hold the blue that remains in plaster, linen and the rim of a glass.
3 / 17 3 / 3
Blue Interior
A series of rooms painted after the light has already left them. Thin oil glazes hold the blue that remains in plaster, linen and the rim of a glass.
4 / 17 1 / 3
The Orchard
Trees at the edge of a field, painted over several autumns. The palette stays close to the ground: ochre, sap green, a warm grey.
5 / 17 2 / 3
The Orchard
Trees at the edge of a field, painted over several autumns. The palette stays close to the ground: ochre, sap green, a warm grey.
6 / 17 3 / 3
The Orchard
Trees at the edge of a field, painted over several autumns. The palette stays close to the ground: ochre, sap green, a warm grey.
7 / 17 1 / 3
Still Life, Late
Lemons, a white bowl, cloth that has been folded and unfolded. Each canvas is a study in how little an object needs in order to hold a picture together.
8 / 17 2 / 3
Still Life, Late
Lemons, a white bowl, cloth that has been folded and unfolded. Each canvas is a study in how little an object needs in order to hold a picture together.
9 / 17 3 / 3
Still Life, Late
Lemons, a white bowl, cloth that has been folded and unfolded. Each canvas is a study in how little an object needs in order to hold a picture together.
10 / 17 1 / 3
Night Window
Windows after dark, seen from the street and from inside. The paintings sit between reflection and the room behind the glass.
11 / 17 2 / 3
Night Window
Windows after dark, seen from the street and from inside. The paintings sit between reflection and the room behind the glass.
12 / 17 3 / 3
Night Window
Windows after dark, seen from the street and from inside. The paintings sit between reflection and the room behind the glass.
13 / 17 1 / 3
Red Studio
A run of larger canvases made in a single winter. Red is the ground, not the subject. Figures appear only as a shift in the temperature of the paint.
14 / 17 2 / 3
Red Studio
A run of larger canvases made in a single winter. Red is the ground, not the subject. Figures appear only as a shift in the temperature of the paint.
15 / 17 3 / 3
Red Studio
A run of larger canvases made in a single winter. Red is the ground, not the subject. Figures appear only as a shift in the temperature of the paint.
16 / 17 1 / 2
Coastal Studies
The North Sea in small panels. Horizon, weather, and the colour of the water on days when it has no colour at all.
17 / 17 2 / 2
Coastal Studies
The North Sea in small panels. Horizon, weather, and the colour of the water on days when it has no colour at all.
Scroll, or press play to walk through